Years of Experience

Articles Written

My creative process revolves around a thorough investigation of mass media’s capacity to shape new realities. My visual artwork takes a determined approach, focusing primarily on the use of archival videographic images derived from television broadcasts. I capture these images through the use of long-exposure photography and then manipulate them through the intricacies of digital post-production.

In my artistic journey, I draw inspiration from a diverse range of experimental photographers and artists. Each has left an indelible mark on the realm of artistic expression. I am captivated by Otto Steinert’s works due to their inherent subjectivity, which imparts a personal and introspective quality to the art form. My creative process is profoundly influenced by Edward Steichen’s commitment to pictorialism and its emphasis on aesthetic qualities. My exploration of borrowed images is inspired by Gerhard Richter’s approach to appropriation art, which challenges conventional notions of authorship and originality. In addition, Joan Fontcuberta’s innovative contributions to post-photography have expanded the possibilities for visual storytelling, leaving a lasting impression on my own work.

To complement my artistic influences, I draw from the vast body of critical theory that explores the intricate interaction between society and culture. Adorno’s aesthetic theories have given me invaluable insight into the transformative power of art and its relationship to society. My understanding of the sociopolitical implications of my artwork has been greatly influenced by Max Horkheimer’s instrumentalism, which examines the instrumental nature of culture and its capacity to sustain hegemonic systems. My examination of the mass media’s construction of new realities is guided by Jean Baudrillard’s examination of hyperreality, in which the boundaries between reality and simulation blur. In addition, Jacques Derrida’s deconstruction theory has enabled me to engage critically with the meaning-making processes underlying visual representations.

I employ paratactic writing techniques in my written reflections, drawing inspiration from literary luminaries such as Tristan Tzara and William Burroughs. The cut-up technique, pioneered by these forerunners, enables me to create unexpected juxtapositions and dissonant connections, allowing for a unique exploration of the themes and concepts inherent to my artwork. In addition, I enthusiastically embrace the opportunities presented by AI-assisted writing. This cutting-edge field enables me to hone my writing skills by incorporating, to my usual writing techniques, the most recent advances in artificial intelligence. This hybrid approach enables me to surpass conventional limitations and produce content that resonates profoundly with readers. Through the fusion of human creativity and technological innovation, I try to push the boundaries of artistic expression, generating texts that encourage further research.

In short, my artistic process revolves around the manipulation of archival videographic images captured using long-exposure photographic techniques and then edited digitally. Influenced by a variety of experimental photographers and artists, as well as philosophers and critical theorists, I intend to investigate how the mass media creates new realities. Through the use of paratactic writing techniques and the incorporation of AI-assisted writing, generating hybrid texts that inspire novel theories and encourage research, I hope to contribute through this multifaceted approach to the ever-changing landscape of art and its profound impact on society and culture.